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Book Title: The Fatal Shore: The Epic of Australia's Founding|
The author of the book: Robert Hughes
ISBN: No data
ISBN 13: No data
Edition: Vintage Books
Date of issue: 1988
Format files: PDF
The size of the: 940 KB
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Reader ratings: 3.4
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Here is history on an epic scale—a riveting, brilliantly written account of the birth of Australia out of the suffering and brutality of England’s infamous convict transportation system. Eighty years lay between the landing at Botany Bay in 1788 of the First Fleet (“this Noah’s Ark of small-time criminality”)—carrying 736 convicts, men and women—and the arrival of the last ship in 1868; during this period the continent served first as an enormous jail, as England rid herself of a whole unwanted class, and then gradually, painfully transformed itself into a flourishing nation. How this happened, and with what anguish, is the story Robert Hughes tells in The Fatal Shore.
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Read information about the authorRobert Studley Forrest Hughes, AO was an Australian art critic, writer and television documentary maker who has resided in New York since 1970. He was educated at St Ignatius' College, Riverview before going on to study arts and then architecture at the University of Sydney. At university, Hughes associated with the Sydney "Push" – a group of artists, writers, intellectuals and drinkers. Among the group were Germaine Greer and Clive James. Hughes, an aspiring artist and poet, abandoned his university endeavours to become first a cartoonist and then an art critic for the Sydney periodical The Observer, edited by Donald Horne. Around this time he wrote a history of Australian painting, titled The Art of Australia, which is still considered to be an important work. It was published in 1966. Hughes was also briefly involved in the original Sydney version of Oz magazine, and wrote art criticism for The Nation and The Sunday Mirror.
Hughes left Australia for Europe in 1964, living for a time in Italy before settling in London, England (1965) where he wrote for The Spectator, The Daily Telegraph, The Times and The Observer, among others, and contributed to the London version of Oz. In 1970 he obtained the position of art critic for TIME magazine and he moved to New York. He quickly established himself in the United States as an influential art critic.In 1975, he and Don Brady provided the narration for the film Protected, a documentary showing what life was like for Indigenous Australians on Palm Island.
In 1980, the BBC broadcast The Shock of the New, Hughes's television series on the development of modern art since the Impressionists. It was accompanied by a book of the same name; its combination of insight, wit and accessibility are still widely praised. In 1987, The Fatal Shore, Hughes's study of the British penal colonies and early European settlement of Australia, became an international best-seller.
Hughes provided commentary on the work of artist Robert Crumb in parts of the 1994 film Crumb, calling Crumb "the American Breughel". His 1997 television series American Visions reviewed the history of American art since the Revolution. He was again dismissive of much recent art; this time, sculptor Jeff Koons was subjected to criticism. Australia: Beyond the Fatal Shore (2000) was a series musing on modern Australia and Hughes's relationship with it. Hughes's 2002 documentary on the painter Francisco Goya, Goya: Crazy Like a Genius, was broadcast on the first night of the BBC's domestic digital service. Hughes created a one hour update to The Shock of the New. Titled The New Shock of the New, the program aired first in 2004. Hughes published the first volume of his memoirs, Things I Didn’t Know, in 2006.
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