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Book Title: دژ سفید|
The author of the book: Orhan Pamuk
ISBN: No data
ISBN 13: No data
Edition: نشر مرغ آمین
Date of issue: 2002
Format files: PDF
The size of the: 3.58 MB
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Reader ratings: 5.9
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Benim açımdan tek kelimeyle “kusursuz” bir okuma deneyimi oldu Beyaz Kale. Orhan Pamuk’a olan hayranlığım bir kat daha arttı. O kadar derinlikli tarihsel detayların içinde zaman atlamaları yaparak kurgu yaratma cesareti, kabiliyeti, başarısı, sonunda yaşanan dönüşüm, hatta öyle bir roman ki bana kalırsa sonunun da çok önemli olmaması, sona gelene kadar içsel tüm gerginliği, çözümlemeyi yol boyunca yaptırmış olması, ve ve ve benim için en haz verici olan kısmı “yaşattığı his” inanılmazdı!
Söze böyle girdikten sonra gelelim içeriğe.
Beyaz Kale birçok farklı şekilde okunabilecek bir roman. İlk akla gelen, Osmanlı dönemine dair bildiğimiz, araştırdığımızda bulabileceğimiz bilgileri içinde barındırmış olması gerekçesiyle “tarihi roman” oluşu. Orhan Pamuk romanın en sonuna uzunca bir not düşmüş. “Beyaz Kale tarihsel bir roman değil” demiş!. Hikaye olarak tarihin içinde konumlanmış, dopdolu, yenilikçi bir roman dememiz daha doğru o halde Beyaz Kale’ye.
Romanımızın kahramanları, Osmanlıya esir düşmüş Venedikli bir tüccar ve kendisine fiziksel olarak çok benzemesine karşın karakter olarak tam zıttı olan Hoca. Olaylar gelişir ve Venedikli tüccar köle olarak Hoca’ya satılır. Ülkede veba salgını baş göstermiştir. İkilimiz vebayı yenmek için bilimsel araştırmalar yapmaya çalışırken aslında esas bulmaya çalıştıkları şey, “insanın sahiden kim olduğudur”. Yer yer birbirlerinin içine geçmiş kadar yakınlaşıp benzeşmelerine, yer yer de birbirlerinden ölesiye tiksinip öldürmek isteyecek kadar yabancılaşmalarına tanık oluruz tüm bu tarihsel karmaşanın içinde. Uzaklaşmak yakınlaşmaya, benzemek benzememeye eş değer olur, dans eder durur zihnimizde tüm zıtlıklar. Bu ikili arasında geçen psikolojik savaşı anlatır tüm roman, arka fonda da 1600’lü yılların ikinci yarısındaki IV. Mehmet padişahlığındaki Osmanlı İmparatorluğu ve savaşın gerçek fiziksel boyutları vardır.
Son söz olarak da, Orhan Pamuk umarım en kısa zamanda bu tadı, hissi verecek, her yönden doyurucu bir romanla okuyucunun karşısına çıkar.
Gözüm kapalı tavsiye ediyorum!
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Read information about the authorOrhan Pamuk was born in Istanbul in 1952 and grew up in a large family similar to those which he describes in his novels Cevdet Bey and His Sons and The Black Book, in the wealthy westernised district of Nisantasi. As he writes in his autobiographical book Istanbul, from his childhood until the age of 22 he devoted himself largely to painting and dreamed of becoming an artist. After graduating from the secular American Robert College in Istanbul, he studied architecture at Istanbul Technical University for three years, but abandoned the course when he gave up his ambition to become an architect and artist. He went on to graduate in journalism from Istanbul University, but never worked as a journalist. At the age of 23 Pamuk decided to become a novelist, and giving up everything else retreated into his flat and began to write.
His first novel Cevdet Bey and His Sons was published seven years later in 1982. The novel is the story of three generations of a wealthy Istanbul family living in Nisantasi, Pamuk's own home district. The novel was awarded both the Orhan Kemal and Milliyet literary prizes. The following year Pamuk published his novel The Silent House, which in French translation won the 1991 Prix de la découverte européene. The White Castle (1985) about the frictions and friendship between a Venetian slave and an Ottoman scholar was published in English and many other languages from 1990 onwards, bringing Pamuk his first international fame. The same year Pamuk went to America, where he was a visiting scholar at Columbia University in New York from 1985 to 1988. It was there that he wrote most of his novel The Black Book, in which the streets, past, chemistry and texture of Istanbul are described through the story of a lawyer seeking his missing wife. This novel was published in Turkey in 1990, and the French translation won the Prix France Culture. The Black Book enlarged Pamuk's fame both in Turkey and internationally as an author at once popular and experimental, and able to write about past and present with the same intensity. In 1991 Pamuk's daughter Rüya was born. That year saw the production of a film Hidden Face, whose script by Pamuk was based on a one-page story in The Black Book.
His novel The New Life, about young university students influenced by a mysterious book, was published in Turkey in 1994 and became one of the most widely read books in Turkish literature. My Name Is Red, about Ottoman and Persian artists and their ways of seeing and portraying the non-western world, told through a love story and family story, was published in 1998. This novel won the French Prix du meilleur livre étranger, the Italian Grinzane Cavour (2002) and the International IMPAC Dublin literary award (2003). From the mid-1990s Pamuk took a critical stance towards the Turkish state in articles about human rights and freedom of thought, although he took little interest in politics. Snow, which he describes as “my first and last political novel” was published in 2002. In this book set in the small city of Kars in northeastern Turkey he experimented with a new type of “political novel”, telling the story of violence and tension between political Islamists, soldiers, secularists, and Kurdish and Turkish nationalists. Snow was selected as one of the best 100 books of 2004 by The New York Times. In 1999 a selection of his articles on literature and culture written for newspapers and magazines in Turkey and abroad, together with a selection of writings from his private notebooks, was published under the title Other Colours. Pamuk's most recent book, Istanbul, is a poetical work that is hard to classify, combining the author's early memoirs up to the age of 22, and an essay about the city of Istanbul, illustrated with photographs from his own album, and pictures by western painters and Turkish photographers.
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