Read A German Requiem, Op. 45: Satb with S, Bar Soli (Orch.) (English Language Edition) by Johannes Brahms Free Online
Book Title: A German Requiem, Op. 45: Satb with S, Bar Soli (Orch.) (English Language Edition)|
The author of the book: Johannes Brahms
ISBN 13: 9780769243788
Edition: Alfred Music
Date of issue: March 1st 1985
Format files: PDF
The size of the: 982 KB
City - Country: No data
Loaded: 1465 times
Reader ratings: 3.9
Read full description of the books:
English Edition. This 96 page choral score is taken from a previous Belwin Mills publication. It provides the choir and soloist parts along with a piano reduction of the orchestral parts, with notations, instrument cues, and vocal text in English language. This was to be Brahms' longest work, in 7 movements, and was based on sacred biblical text, originally written in the German language, and therefore did not follow the traditional Latin requiem text. Includes: Blessed are they that mourn * Behold, all flesh is as the grass * Lord, make me to know the measure of my days on earth * How lovely is thy dwelling place * Ye are now sorrowful * Here on earth we have no continuing place * Blessed are the dead.
Download A German Requiem, Op. 45: Satb with S, Bar Soli (Orch.) (English Language Edition) ERUB
Download A German Requiem, Op. 45: Satb with S, Bar Soli (Orch.) (English Language Edition) DOC
Download A German Requiem, Op. 45: Satb with S, Bar Soli (Orch.) (English Language Edition) TXT
Read information about the authorIn 1833, Johannes Brahms was born in Germany. As a teenager playing for drunken sailors in a Hamburg bar, Brahms would prop up books of poetry to read as a diversion. His favorite poet was the anticlerical G.F. Daumer, described by the Catholic Encyclopedia as "an enemy of Christianity". Brahms' works were influenced by such writers as Hoffman, Friedrich Schiller and Robert Burns. He was well-read in philosophy and science, and was an avid hiker who took inspiration from nature. When asked by a conductor to add additional sectarian text to his German Requiem, Brahms responded, "As far as the text is concerned, I confess that I would gladly omit even the word German and instead use Human; also with my best knowledge and will I would dispense with passages like John 3:16." (Jan Swafford, Johannes Brahms: A Biography). A liberal, Brahms ardently opposed anti-Semitism, was approachable even at the height of his fame, and was always generous with his time and charity. Biographer Swafford writes of the young composer: "Though he was to be a freethinker in religion, Johannes pored over the Bible beyond the requirements for his Protestant confirmation." From then on, "Music was Brahms' religion." According to Swafford, Brahms was "a humanist and an agnostic." After nearly 64 years of near perfect health, never even enduring a headache, Brahms succumbed quickly to liver cancer. There was no deathbed conversion. D. 1897.
In his lifetime, Brahms's popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs". The diligent, highly constructed nature of Brahms's works was a starting point and an inspiration for a generation of composers.