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Ebook Au Bonheur des Dames (The Ladies' Delight) by Émile Zola read! Book Title: Au Bonheur des Dames (The Ladies' Delight)
The author of the book: Émile Zola
ISBN: 0140447830
ISBN 13: 9780140447835
Language: English
Edition: Penguin
Date of issue: October 25th 2001
Format files: PDF
The size of the: 844 KB
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Now the basis for the major BBC tv adaptation The Paradise, this is a lavish drama and a timeless commentary on consumer capitalism. The Penguin Classics edition of Émile Zola's The Ladies' Delight is based on an acclaimed, vivid and modern translation by Robin Buss, who has also introduced the novel.

The Ladies' Delight is the glittering Paris department store run by Octave Mouret. He has used charm and drive to become director of this mighty emporium, unscrupulously exploiting his young female staff and seducing his lady customers with luxurious displays of shimmering silks, satins, velvets and lace. Then Denise Baudu, a naïve provincial girl, becomes an assistant at the store - and Mouret discovers that he in turn can also be enchanted. With its greedy customers, gossiping staff and vibrant sense of theatre, The Ladies' Delight (Au Bonheur des Dames in the original French) is one of the most richly exciting novels in Zola's Les Rougon-Macquart cycle.

This edition also contains a bibliography, introduction, chronology and explanatory notes.

Emile Zola (1840-1902) was the leading figure in the French school of naturalistic fiction. His principal work, Les Rougon-Macquart, is a panorama of mid-19th century French life, in a cycle of 20 novels which Zola wrote over a period of 22 years, including Au Bonheur des Dames (1883), The Beast Within (1890), Nana (1880), and The Drinking Den (1877).

'A complete page-turner about the consumer society, greed, fashion and instant gratification'
India Knight

'A fine translation'
The Times Literary Supplement


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Read information about the author

Ebook Au Bonheur des Dames (The Ladies' Delight) read Online! Émile François Zola was an influential French novelist, the most important example of the literary school of naturalism, and a major figure in the political liberalization of France.

More than half of Zola's novels were part of a set of 20 books collectively known as Les Rougon-Macquart. Unlike Balzac who in the midst of his literary career resynthesized his work into La Comédie Humaine, Zola from the start at the age of 28 had thought of the complete layout of the series. Set in France's Second Empire, the series traces the "environmental" influences of violence, alcohol and prostitution which became more prevalent during the second wave of the Industrial Revolution. The series examines two branches of a family: the respectable (that is, legitimate) Rougons and the disreputable (illegitimate) Macquarts for five generations.

As he described his plans for the series, "I want to portray, at the outset of a century of liberty and truth, a family that cannot restrain itself in its rush to possess all the good things that progress is making available and is derailed by its own momentum, the fatal convulsions that accompany the birth of a new world."

Although Zola and Cézanne were friends from childhood, they broke in later life over Zola's fictionalized depiction of Cézanne and the Bohemian life of painters in his novel L'Œuvre (The Masterpiece, 1886).

From 1877 with the publication of l'Assommoir, Émile Zola became wealthy, he was better paid than Victor Hugo, for example. He became a figurehead among the literary bourgeoisie and organized cultural dinners with Guy de Maupassant, Joris-Karl Huysmans and other writers at his luxurious villa in Medan near Paris after 1880. Germinal in 1885, then the three 'cities', Lourdes in 1894, Rome in 1896 and Paris in 1897, established Zola as a successful author.

The self-proclaimed leader of French naturalism, Zola's works inspired operas such as those of Gustave Charpentier, notably Louise in the 1890s. His works, inspired by the concepts of heredity (Claude Bernard), social manichaeism and idealistic socialism, resonate with those of Nadar, Manet and subsequently Flaubert.




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